Creating distance in your drawings is very important because it can make everything look credible and more natural. Every beginner should know that mastering this skill and always thinking about your work as a whole will only bring progress. So, let’s take a look at some of the tips you can find useful when trying to create the illusion of distance on your 2D drawings.

Blurring the Background

If you want to concentrate on only one object in your drawing and you want to create the illusion of distance the best way to do it is by making the background blurry. The further something is from the point of view the blurrier it will be. Take a photograph for example: if you want to make one object in focus, the rest of the picture will be blurred. Go ahead and blur the background of your drawing and make sure that the intensity of blur effect becomes higher as you go further from the point of view.

Crisp Edges and Lines

The same goes with the lines. If you want to accentuate that one object is really close, then you need to make all the lines really clear and crisp. As you go further you should start making those lines softer and blurrier. The type of edges or lines you are using will greatly influence the illusion of distance in your drawings. Try using thicker lines for objects that are closer and thinner lines for the ones in the back and you will see the difference.

Overlap Objects In Your Drawing

This one is pretty simple: when you start drawing more things on your canvas you can place them where and how you like. However, if you wish for you drawing to become realistic and achieve the depth then you should pay special attention to how you are placing the objects. The ones that are nearer to the viewer will be larger and more visible.The ones that are in the back might be blocked by the object in front, and some part might not even be visible at all.

Size of Objects

When we are observing something in the distance it will visually be smaller than it really is. If you want to create the illusion of depth make sure that you make the objects in the front larger and objects in the back smaller and smaller as you are getting away from the view point. What does this mean? Well, even if we know that the mountains are bigger than people, when we are drawing the in the distance they become smaller that the person who is the focal point of our drawing.

Shadows

Don’t forget to add the shadow effect as it is really important. Sometimes if the objects you are drawing are really close to each other you can add shadow to show the viewer where the objects are placed. This will greatly help in achieving the illusion of space and make your whole drawing look credible and professional.

Color or Atmospheric Perspective

If you are using colors in your 2D work than you need to know how to use them to achieve the depth illusion. As you go back towards the background the colors will belighther. The same goes for the shading. If you are using graphite then you might want to make the objects in the back look lighter, and make the shading a bit softer. All of this will make you drawing look better and natural, as in the nature there are atmospheric particles in the air that will gradually blur our sight as we are looking at the distance.

This brings us to the very end of this list of tips for achieving the illusion of depth. Practice all of these tips, when you are drawing landscapes, portraits or anything else and you will notice immense progress in your work.

Drawing a portrait or a complete human body might seem hard, but you know what they say: practice makes it perfect. Here are some useful tips that will help all the beginners realise how to properly draw the human face and realise their mistakes from their previous work. Get a pen and a piece of paper and get those fingers working today!

Observing and copying what you see might be the most useful technique you could practice if you want to master the face anatomy. Studying what lies beneath the thing we know as the FACE might help you with your further work. On the other hand, there are people who can perfectly copy what they see in front of them without even knowing the basic features of a human face.

Some artists prefer to draw from their imagination, and if you are one of them then you might need some time to practice and make your drawing look natural and human-like. So, let’s take a look at those tips that will make you the artist that you want to be.

Start with the basic geometry shapes

Everything you draw can be composed out of simplified shapes, so just to have a clue of what you are going to do and avoid unnecessary erasing do this as a first step. For an example, if we are looking at a human head face on, it can be depicted as a circular shape. Depending on a person or OC (original character) you are drawing this shape can be more oval like an egg or somewhat of an irregular circular shape – but you get the idea.

Some artist prefer to add two basic shapes when they are drawing a human face. Circle for the top part of the head and a shape similar to a triangle for the bottom part where the chin is located. So, once you know this, finish you basic sketch and let’s move on to the next tip.

Go for the proportions

Here is one great tip: If you have trouble placing eyes, ears, nose and lips on the face you are drawing all you need to keep in mind are these simple proportions. Part the head shape with a line horizontally and vertically. Place the eyes on the middle of both right and left half of the horizontal line. Next, part the lower half of the vertical line in 5 equal parts and place the lips and nose on the second and third line counting from your chin. Now you can start drawing the human face.

Face is not a plain surface

One must always keep in mind that a human face is not a plain surface. This means, that some parts are indented and others are convex, which is what defines the distinctive features of our faces. An artist should always think about these things which will help him achieve the illusion of depth on his drawing and make it look natural and convincing. Think of which parts of your face cast shadows to other parts and think of which parts get the most light. For example, upper lip tends to be slightly protruded compared to the lower lip, meaning that it will cast a little bit of shadow on the lower lip. The same goes for the brow ridge, eyes, cheek bones and your nose – all of these parts will likely cast some kind of a shadow on the parts of a human face located below them.

Draw face from different angles

Drawing a human face from different angles and in different lighting is crucial to mastering to draw any person’s face. One must get a sense of how a human head looks from many directions, which one can do by simply looking at the mirror.

Eyes are the soul

Take your time drawing the eyes, as they have so many details that can make your drawing look unnatural. Think of eyes like a sphere that they are, don’t just focus on the color, shape and proportions. Eye surface is highly moisturised, which means that any light source will be reflected in our eyes. Add little details that will show the shape of eyes, depth and even a reflection of something.

These are only some of the tips that can help you along your path as an artist. Apply them starting now and see the difference in your work. And don’t forget to practice and practice until you make it perfect.

If you are a beginner artist or you simply love drawing and art in general, you must have heard about watercolor and watercolor paintings. But what about gouache (pronounced /ɡuˈɑːʃ or ɡwɑːʃ/ – you are welcome:))? Are these two techniques similar? How does the material differ in these two art mediums? We will dive into the subject immediately, so lets start! Based on the experience of many artists out there, here are some answers to your questions:

It is all about the chemistry

Even though most people who are not experts or artists mix the two, these two mediums are actually completely different. Starting with the paint types, watercolor and gouache have different ingredients, which will greatly influence your work with these paints. Some of you might even be misled by the similar way of application, as both watercolor and gouache paints will be mostly applied using wet on dry or wet on wet technique. However, once you start applying the paints you will clearly see the difference.

Wet on Dry vs Wet on Wet techniques

We all love watercolor for the amazing washed effect it has, caused by the flow of fluid paints across the working surface. Even when we use wet on dry technique, watercolors tend to be applied more easily due to their runny structure. The result, even after several layers, are pictures with visible brush strokes and washed out colors which are not as bold as with gouache. Another thing that is typical for watercolors is slow drying. Paintings painted with watercolors will dry much slower than the ones done with gouache paints.On the other hand, once you start applying gouache with wet on dry technique, you will notice that colors are bold and opaque, brush strokes are not visible as the colors are much more pigmented and it has a rather matte finish once the paint dries.

Let us move on to wet on wet application method. This is when the translucency of the watercolors comes to its peak. The layered wash produced by this technique is what makes watercolor paintings so special. That is why, one should have a lot of experience, precision and patience when working with these paints which are spreading on surface very rapidly and fluidly. Once again, you will have to wait quite a bit time for the paint to dry completely in order for you to move on with another area or another layer. Even with water, gouache colors will remain opaque and bold. The application and the spread of paint will be slightly easier but the it will dry fast anyways.

With both techniques the finish will remain the same: matte for gouache and satin for watercolors. However, the main difference in the appearance will certainly be the opacity and translucency of colors.

Now that you know a little bit more about both of these techniques, go ahead and push the boundaries in your mixed media work or simply opt for your preferred technique and start mastering it! Anyways, ahead of you is a colorful and fun journey seasoned with plenty of creativity!

Art Nouveau, its literal translation from French being “The New Art”, is a movement born out of the desire to leave behind all the classical approaches to art and craft. With the turn of the century, came the turn in the public’s mind. In the 1890s surfaced many artist who left a permanent mark of the history of art. Their style was mainly decorative and found in many different shapes and forms, such as posters, interior design and glass decoration. These artists found their inspirations mostly in the female figure and nature, depicting them with strong colors and curvy lines. Creating asymmetry was not an unfamiliar method in Art Nouveau. Regardless of the technique they used, the artists of Art Nouveau shaped the thought of the 20th century and their work stands as one of the most valued and popular pieces of art even today. So, who were the legends behind the art? Although we are only going to mention four of the many artists belonging to the Art Nouveau, we believe that these four masters deserve to be honored as the greatest who belonged to this movement.

Gustav Klimt

The Kiss, The Portrait of Adele Bloch-Bauer and The Tree of Life are just some of the famous paintings by Austrian artist Gustav Klimt. Born in 1862, Klimt dedicated his life to creating decorated art with hints of eroticism. The society was divided into those who adored his work, and those who judged it for its erotic aspect. His “Golden Phase” lasted from 1903 and 1909, when the artist used gold leaf to work on a commission for public buildings. Klimt was also one of the founders of Vienna Secession, and their goal was to incorporate modern European style into Austrian art.

Alphonse Mucha

Czech artist Alfons Maria Mucha found his artistic-self in Paris, creating stylized, decorative posters, most of which were theatrical posters of Sarah Bernhardt. He also dwelt in the creation of jewelry, advertisements and furniture. The centre of all his creation was always a woman, who represented strength, power and femininity. Upon returning to his homeland he worked on a series of twenty canvases which he called The Slav Epic. Some of his most known paintings such as Gismonda, Zodiac, Spring, Job and Chocolate Ideal greatly influenced Art Nouveau although the artist himself refused to be associated with the movement.

Henri de Toulouse-Lautrec

The turbulent life of Henri de Toulouse-Lautrec, although filled with much pain due to his illness, was also colored by his many magnificent paintings of the life inside Moulin Rouge. Born an aristocrat from a wealthy family, he suffered a genetic disorder which was later named after him. It pushed the artist to remove himself from the high-society and spend his days at the notorious Moulin Rouge. There he found his inspiration for many posters that he made for this nightclub, revolutionizing the quality of advertisements and upgrading them into a form of art. His greatest contributions to the Art Nouveau are At The Moulin Rouge: The Dance, Moulin Rouge: La Goulue and Avril.

Egon Schiele

The brief life of this artist gave the world copious works of art that influence many even today. Although Schiele belonged to Expressionism, at one point he became good friends with Gustav Klimt who soon started mentoring him. It is easy to assume he was the reason why Schiele was greatly influenced by Art Nouveau. The female figure was the centre of all his work. The erotic aspect of his paintings led to his incarceration in 1912. All of the women in his work such as Reclining Woman With Green Stockings were painted unconventionally, with distorted characteristics that gave beauty a whole new meaning.

Well, there’s no better way of taking your arts and crafts skills than learning how to create shading. It’s perhaps one of the things that can differentiate between an amateur piece of drawing and a complete artwork. Shading allows you to add shadows to your work thereby bringing depth to your subject. The pencil is an important tool that’s used by both beginners and experienced artists to create amazing results in their drawings. It doesn’t have to be complicated. You can experiment and try out these shading techniques and explore different artistic expressions.

Crosshatching

This technique is achieved by layering numerous sets of parallel lines on top of each other. The darkest areas of pencil value are created by laying and building up more lines. Well, it’s not uncommon for artists to lose patience with this technique and to speed up over time. In most cases, you’ll see some difference between the last few lines and the first ones. The last lines tend to look messier compared to the first ones.

So, you want to exercise some patience with this shading technique. Simply enjoy the process of creating layers upon layers! As long as you maintain the same pencil pressure and spacing when drawing the lines, it becomes a snap to control the pencil values.

Smooth Shading

Whenever you’re shading in a hurry, you tend to apply a back-and-forth motion that often results in striping. You can’t achieve a smooth finish with this type of shading. Smooth shading usually involves slowly applying a random circular motion while avoiding any patterns. Layering becomes easier since the shading process is slower. Smooth shading is allows for the building up of pencil values thereby resulting in wonderful results.

Textured Shading

When it comes to textured shading, strokes and individual lines are allowed to build up in a manner that gives a textured look with a variety of tones. In most cases, the type of pencil shading to use will depend on the subject matter. This shading technique often applies when drawing foliage and trees. Usually, you’ll have to vary the lightness and darkness around the subject matter using layering and pencil pressure. The technique creates a visual separation within a given drawing.

Smudging

Well, smudging often involves shading with the help of other tools like paper stumps, your fingers, or dry bristles from a brush. Be careful when using your fingers as it can get messy. Unlike smooth shading where the pencil usually skips the lowest areas of the paper, smudging tends to push graphite into all the areas of the paper including the lower pits. You may have to use other shading techniques when smudging. Since it involves pushing the pencil around all the parts of the paper, one is able to accomplish smudging much faster.

The technique you decide to use to create values is your choice. The most important thing is to ensure you get the value relationships right in your drawing. Try exploring the different shading techniques and see for yourself what you can come up with. Have an open mind with all the techniques.